This term refers to painting from the small court of Kota from the seventeenth century to the nineteenth century. The Mughals established Kota as an independent state from Bundi to be ruled by a branch of the family in 1631 and stylistically, the early art of Kota followed the Bundi model and concentrated on Ragamala and Baramasa painting.

As it flourished in the eighteenth century there was a marked increase in the production of hunting scenes – tigers prowling dense jungles of tightly composed foliage, with hunters interspersed between the trees. The figures have a ruddier complexion in comparison to Bundi painting, with sculpturally modeled features.

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